Sir Kenneth MacMillan / Jules Massenet / Martin Yates
MANON
Ballet in three acts
During his career, Sir Kenneth MacMillan managed to reinvent not just the language of ballet, but also its subject matter: on many occasions he reached for modern, socially and societally charged themes that no one had ever dared to touch in any genre, let alone in dance. He was met with this criticism also after the 1974 premiere of Manon: even though it won enormous acclaim from audiences, critics were shocked by an immoral plotline that was completely unprecedented in the world of classical ballet at the time. Leighton Lucas created the score of the ballet based on Massenet’s works: although using nothing from Manon itself, he compiled the musical material from the composer’s many other operas and oratorios, which Martin Yates later re-orchestrated in 2011. Manon is performed with MacMillan’s original scenery and costumes on the stage of the Opera House.
AUTHORS
Choreographer: Sir Kenneth MacMillan
Composer: Jules Massenet
Music arranged by: Martin Yates
Set and costume designer: Nicholas Georgiadis
Costume supervisor: Donna Raphael
Lighting designer: John B. Read
Production director: Jo Maund
Taught from the Benesh notation by: Gary Harris
Staged by: Maina Gielgud
Répétiteurs: István Kohári, Albert Mirzoyan, Ildikó Pongor, György Szirb, Marianna Venekei
Hungarian National Ballet Institute students trained by: Dénes Kovács
CAST
Conductor: Gergely Kesselyák
Manon: Tatyjana Melnyik, Aliya Tanykpayeva, Maria Yakovleva
Des Grieux: Gergő Ármin Balázsi, Dmitry Timofeev, Louis Scrivener
Lescaut sergeant: Iurii Kekalo, Taran Dumitru, Luca Massara
Lescaut: Maria Beck, Jessica Carulla Leon, Claudia García Carriera
Monsieur G. M.: Mikalai Radziush, Vlagyiszlav Melnyik, Boris Zhurilov
Madame: Katerina Tarasova, Zsuzsanna Papp, Aglaja Sawatzki
Gaoler: Kóbor Demeter, Maxim Kovtun, Taran Dumitru
Beggar chief: Yago Guerra, Motomi Kiyota, Vince Topolánszky
Az Újszínház Eisemann Mihály–Szilágyi László Zsákbamacska című zenés komédiája, ami kész regény, hogy mennyi félreértés, kaland vezet a megváltó boldogságig.
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